The Brontës grew up reading Romantic literature--the novels of Sir Walter Scott, the poetry of Lord Byron. This shaped their view of the world. Because this was their formative literary milieu, and especially for Emily, the sibling who ventured least from the family home, and spent the most time on their native moorlands, we see a novel almost untouched by the contemporary Victorian zeitgeist. Heathcliff and Cathy are figures of high Romance--not in the hearts and flowers sense, but in the Romantic Period sense--the celebration of nature, the belief in the supernatural, the privileging of emotion over reason. The term soulmate dates to this period. When Cathy says "I am Heathcliff," she is aserting that they two are one and the same.Wuthering Heights, Emily Bronte.
Wuthering Heights is additionally of its time and author for two reasons that come to mind. One, the Heathcliff/Cathy attraction is comparable to the bad boy/good girl today and ever; bad boy treatment and behaviour, for some sheltered or damaged females, is compelling, even as it is destructive and belittling. Two, being cruel was, not unlike as presented in Dangerous Liaisons, in that era a kind of game, a frivolity, a popular diversion and a personality accepted, if not appreciated.The Brontës grew up reading Romantic literature--the novels of Sir Walter Scott, the poetry of Lord Byron. This shaped their view of the world. Because this was their formative literary milieu, and especially for Emily, the sibling who ventured least from the family home, and spent the most time on their native moorlands, we see a novel almost untouched by the contemporary Victorian zeitgeist. Heathcliff and Cathy are figures of high Romance--not in the hearts and flowers sense, but in the Romantic Period sense--the celebration of nature, the belief in the supernatural, the privileging of emotion over reason. The term soulmate dates to this period. When Cathy says "I am Heathcliff," she is aserting that they two are one and the same.
It isn't surpising that the novel met with such a strong reaction. It was born into the Victorian Era, a time of restraint and decorum. Brontë's novel was simply too dark, too passionate, too wild for the times.